
You know that feeling.
You are in a room, or on a call, or in a group session with people you do not know well. Someone is at the front, leading, and at some point they will ask a question or call on someone. And somewhere in your gut, before anything has been said, before any eyes have turned in your direction, the signal arrives.
It is going to be me.
Not a thought. More like a quiet alarm. And more often than not, when it comes, it is right. The presenter turns. Your name is the one that gets said.
I have had that feeling my whole life. The strongest version of it arrived on the first morning of Grade 9 Term 2 at Kabulonga Boys High School in Lusaka, in 2002.
Mr Chinombwe and the GX
Our class teacher was Mr Chinombwe. He signed his name with GX after it. Not a qualification. Just GX, because his dream was to own a Toyota Land Cruiser GX, and he had decided the abbreviation belonged next to his name before the car arrived. He was that kind of teacher. Warm, encouraging, genuinely invested in where his students were going. The kind of person who told you not to be limited by your imagination, and demonstrated that by announcing his own dream to a classroom of teenagers without embarrassment.
The first morning of a new term he would always do the same thing. Come in, settle everyone down, catch up on the holidays, and then give a general sense of how the class had performed. I had never paid much attention to that part. There had never been a reason to.
But that February morning, before he said anything specific, the signal arrived. My heart started moving in a way it had no reason to. He was speaking generally about results and had not called any names, and yet something in me was already alert.
Then he mentioned me.
Not because something was wrong. Because something had surprised him. Excellent performance. One of the best in the class. The reaction in the room was genuine, because this was a student who had been average at best. Nowhere near the top of anything.
When he walked out, my friend Masheke came over, gave me a pat on the back, and shouted it across the room.
Silent banner.
A few others picked it up. Ah, silent banner, silent banner. The way people repeat a phrase when they are congratulating someone and enjoying the sound of it. Then the moment moved on. The day continued.
But the phrase did not leave.
Breaking the night
Let me go back a few months, to how it had happened.
My mother sat me down one evening and told me something I did not fully understand at the time. You can read that conversation in full here. She was concerned about my grades and the company I was keeping. What I did not write about was what I quietly did next.
I went back to class and started watching the best students. Not obviously. Just observing. Where they sat, what they talked about, what happened after the bell.
What I found was a group with their own culture. They called it breaking the night.
The way it worked: you finished school at 17hrs, went home, slept early, sometimes by 20hrs, and woke at midnight to study through till morning. You would arrive at school the next day still wearing two pairs of trousers. Not because you had not changed. Because you had deliberately put your school trousers on over a second pair when you woke at midnight, to get through the cold of studying in the dark hours. By the time you showed up in class, the two trousers were still on. They were not hiding it. The two trousers were the badge.
The part I found most interesting was not the studying itself. It was what happened after we knocked off from class.
At 13hrs, while other students went home, this group stayed. They would walk from school, past Kabulonga Girls High School next door, and just beyond it, Melisa Supermarket. There was a certain energy to that walk through Kabulonga Girls territory. Boys from a boys school, cutting through, that easy confidence of a group with somewhere to be. But that belongs to a different story.
At Melisa, they would buy a whole loaf of bread. Not sliced. A full hot loaf, the kind you carry under your arm. Then someone would produce empty water bottles and sugar, mix it until it was sweet enough, and that was zigolo. You would sit together, tear into the bread, drink the zigolo. Some students even brought nshima from home, and would eat that too, slowly, before the afternoon session ahead.
Then back to class. Study until 17hrs. Go home. Sleep. Wake at midnight. Begin again.
It was a thing. A real thing. A culture with its own rituals, its own rewards. People looked forward to having something to report the next morning as much as they looked forward to the studying itself.
When someone said they had finished the history syllabus in Term 1, the response was not disbelief. It was eh, that is the spirit, boi. Handshakes. Recognition from people who understood what midnight studying actually cost.
I started joining the Melisa walks. Started trying the midnight sessions at home, quietly, as an experiment. Observing and trying. Observing and trying.
But I would never come back to report it. I would not raise my hand in class even when I knew the answer. I was learning the practice and leaving the announcement behind.
That is why the results were a surprise to everyone. Nobody knew what had been happening. Not because I was hiding exactly. It just never felt like my place to say it.
The character that settled in
Masheke said the words once. A few others echoed them. Then the day moved on.
Nobody at the next school, or at university, or at work ever called me that again. The label did not travel.
What travelled was something harder to name.
I would do good work and not mention it. Build something, plan something, work toward something, and the people around me would not know until the thing arrived. Personal milestones. Things worth acknowledging. I would not post, not share, not announce. Not out of strategy. Just because speaking myself up never felt like something that belonged to me.
At my wedding reception in 2020, my best man Peter gave a speech. We have been colleagues since our time at David Kaunda, and he stood up that evening and said the kind of things only someone who has known you for years can say.
One thing he described has stayed with me. He talked about how things just showed up with me. How I might mention something once, barely mention it, and then it would materialise. He brought up the Audi. One passing reference. And then there was an Audi. He paused, looked across the reception room to where my wife was seated, and said simply: Doc. Mentioned quietly, a long time before. And then there she was.
The room celebrated. And somewhere in that moment I saw something clearly for the first time. Peter was not describing a charming habit. He was describing a pattern that had been running since a classroom in 2002, being narrated back to me at my own wedding by someone who had no idea it had ever been named.
Looking back, I can see it has worked both ways.
There is a version of it that is genuinely useful. The discipline of private preparation, the confidence of knowing you have done the work regardless of who is watching. But there is another version. The first time I was offered a management role, I hesitated. I went home and told my mother I was not sure I was ready. There have been rooms I stayed outside of, things I did not step into, moments I let pass. Not because I could not, but because the character did not include going forward before being called. Whether those moments were right or wrong I cannot say with certainty. But they were shaped by something I had not consciously chosen.
The banner goes public
In 2021, I decided to start writing publicly.
I set up the site on Blogspot. I wrote the articles. I wrote about starting then, the idea that you do not have to wait until everything is perfect before you begin. What I did not write about was what the beginning actually felt like.
One Saturday afternoon I sat at my laptop and gathered something. Not quite courage, more like resistance to my own resistance. I clicked publish. Then I had to go further. Share the link. On Facebook. On LinkedIn. Say to people who knew me: here is something I made.
My hands were damp. There was that sickening pull in the stomach, the kind that makes your body want to stand up and leave before you can do the thing. I clicked share. Then I stood up immediately and walked out of the room.
I was alone. Nobody was watching. And yet the feeling was completely real.
Here is what I understand about that feeling now.
The silent banner does not announce. The work should simply exist, be found, speak for itself. That is the logic the character runs on. But a blog is the opposite of that. Every article is a hand raised. Every share is a voice saying: I was here, I thought this, I am putting this out. By writing publicly, by sharing with my name attached, I was not being a silent banner anymore.
I was being a public one.
And the friction I felt, the damp hands, the sickening pull, the immediate need to leave the room, was not just nervousness. It was the specific friction of going against a character I had been living inside for nearly twenty years.
The writing went quiet for a while after that — I wrote about that season in a piece called Three Years on Autopilot. When I came back I moved from Blogspot to WordPress, and then sat on the new site for months before sharing anything publicly again. In February 2026 I finally did, with a piece called The Cost of Invisible Progress. Each time, the same friction. Each time, the same choice.
What I keep choosing
The feeling has not gone away.
Every time I publish, the gut signal arrives. The question underneath it: who asked you to speak?
I publish anyway. Not because the discomfort has passed. Not because I have resolved the character. But because I have started to wonder whether the discomfort is not a reason to stop but a reason to continue. Whether the friction of going out of character, doing the thing the role you inherited did not include, is sometimes exactly where growth lives.
Maybe the silent banner does not have to stay silent.
Maybe, once in a while, he picks up the mic.
Not because he has been selected. Not because someone pointed at him and said: you, go. But because he decided, against his own grain, against the character that has been running quietly since a classroom in 2002, that this time he would go first.
That is the hardest thing I have ever done. And it is also, I have found, one of the most worthwhile.
Most of us are carrying something like this. Not silence necessarily. It could be anything. A role that settled into us so gradually we stopped noticing it was a role and started thinking it was simply who we are. Something said about us when we were young enough that we did not think to question it. A character we stepped into without auditioning, that has been quietly shaping which rooms we enter and which ones we stand outside of.
The interesting thing about these characters is not that they are wrong. Often they are built on something real. The question worth sitting with, the one that takes longer than a single reading to answer, is simpler than it sounds.








